“Because at the end of the day, really, he’s a philosopher,” Stipe continued. frontman who was an executive producer on “Velvet Goldmine,” Haynes’s 1998 feature about the glam-rock scene. “He’s not looking at different mediums as separate entities but trying to integrate them together and create this synthesis of music and art and philosophy,” said Michael Stipe, the former R.E.M. This approach has been a hallmark of Haynes’s music work. And in this documentary I had handed to me, basically on a platter, this avant-garde cinema, which is so intrinsically bound up in the story of the Velvet Underground.” Haynes said that with his music-related projects, “I’m always trying to find the cinematic parallels or stylistic traditions that are relevant either to the time or to the spirit, the ethos of the music. Tellingly, one of the most compelling witnesses is Jonas Mekas, the curator and experimental filmmaker who was interviewed shortly before his death in 2019.
The musicians had all been drawn into Warhol’s orbit early on, so Haynes talked to insightful members of the artist’s circle, like the actress Mary Woronov and the critic Amy Taubin. Or they set up an example of a unique - and usually in my mind radical - experiment where the artist succeeds in playing around with notions of identity through music and through performance.” “They’re about cultural moments where the artist, or the genre of music, changes things or reflects changes in the culture. “The kinds of subjects I want to make films about are not just because it’s music I love,” Haynes said. Even Haynes’s contribution to the HBO omnibus “Six by Sondheim” (2013) departed from convention: Whereas an older female performer usually handles the “Follies” number “I’m Still Here,” he had the former Pulp frontman Jarvis Cocker croon it to a dimly lit cabaret full of women, a neat reversal of the male gaze. In 2007 he made “I’m Not There,” with six actors, including Cate Blanchett, playing Bob Dylan, or at least versions of Dylan.
He burst on the scene in 1987 with the 43-minute-long biopic “Superstar: The Karen Carpenter Story,” which was cast with dolls. The title comes from a line from one of the band’s favorite films, the musical West Side Story.As with Pretties for You, the band’s debut from the previous year, Easy Action was neither a commercial nor critical success.Haynes’s queering is particularly effective in music-centric movies, a field that has often been dominated by a straight-male point of view. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the … Easy Action is the second studio album by the American rock band Alice Cooper, released by Straight Records in March 1970. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. In a song review for AllMusic, Dave Thompson called it “one of the all-time classic … Lewis Allan Reed (Ma– October 27, 2013) was an American musician, singer, songwriter, and poet. The lyrics describe a man’s efforts to obtain heroin. Along with “Venus in Furs” and “Heroin”, “I’m Waiting for the Man” was recorded in May 1966 at TTG Studios while the band was staying in Hollywood.It has been musically described as garage rock, proto-punk, and hard rock. White Light/White Heat is the second studio album by American rock band the Velvet Underground.Released on January 30, 1968, on Verve Records, it was the band’s last studio recording with multi-instrumentalist and founding member John Cale.Recorded after Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired … Recording.
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